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Who is Bozo Texino? DVD 55 min, black and white, 16mm and Super-8, DVD (5 oz) $20.00

Beginning work around 1982, Bill Daniel set out to explain travelling hobo culture and the origins of the mysterious freight train tag of "Bozo Texino", a person wearing a cowboy hat with a pipe. "Who is Bozo Texino?" is a film study on the 100-year-old tradition of hobo and railworker graffiti. Mostly shot on freight trips across the western US, the film includes interviews with some of the railroad’s greatest graffiti legends: Colossus of Roads, The Rambler, Herby (RIP) and the granddaddy of them all, Bozo Texino. The film also catches some of the socio-economic history of hobo subculture from its roots after the Civil War to the present day. Included are interviews with tramps that Daniel encountered in his travels. The range of the interviews, and the film’s style deal with both the clichés and the harsh realities of tramp life. In researching hobo culture Daniel found the written histories fraught with myth, and was initially frustrated by the apparent lack of verifiable truth to much of the lore. What we are left with is a fascinating little window capturing a slim view of the lifestyle, the nature of tagging, and the mysterious long standing tradition of the seemingly larger-than-life Bozo Texino. Read an interview on Fall of Autumn! and another interview on Cinemad!

 
Bill Daniel's homegrown epic is as kinetic and raggedly beautiful as the trains he hopped to mae it. Using the search for the origin of a near mythical example of railroad graffiti as a point of departure, Bill made a flim about freedom as literal passage across the land. Corporations brand things to say they own them, but there are ways in which humans have marked things to say they can't be owned. Jem Cohen
I'm not going to hold back any enthusiasm...this is the best movie I've ever seen. Josh from Edmonton
Daniel places himself firmly in the bootprints of Jack London, Jack Kerouac, Walt Whitman, Woody Guthrie - a fine, long tradition of American artists who look for their inspiration to the marginal, the underclass, the vagabond and the outcast. Nominally a chronicle/survey/history of boxcar graffiti (a tradition as old as the railroad itself) and the men who create it, Who Is Bozo Texino? soon transcends its narrow subject-matter to become a gloriously rough-edged elegy for an America which is being swept away before our eyes. Neil Young’s Film Lounge
At a certain point in research and filming, I had to give up on the idea of being able to tell every story down to the detail. One of my initial impulses was to create a highly resolved document that would allow people in the future to see exactly what this culture was like. But at the same time I was painfully aware that to broadcast these discoveries would alter or wreck the innocence and freedom that was there. Gradually, I realized that to report on freight train culture I should just acknowledge this mythologizing that permeates the culture and adopt that as an essential part of my approach. But the difficulty was, at the same time, to present this purely documentary material that I earnestly want to be appreciated and preserved. And no matter what the disappointment might be in finding the lonely reality behind a particular myth or graffiti, there is a mystery, or truth, that will always evade the documentarian and the audience. Bill Daniel
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