Brown shoots Mexico as a splintery shadow land of haunting horrors and winking visions, a miracle mirage zone with phantom lights in the skies, the Blessed Virgin peeping out of wasted trees, hoops of rainbow light, like halos with no angels to hang them on, the smudged crayon charm and desperation of Christ graffitti on adobe convenience stores and saguaros stretching, like scarecrow giants, over a dreaming desert both mystical and miserable. Rogue Cinema

Generally an Indie film maker will go through the effort of making a film simply because he can, and not for a huge pay cheque which is merely compensation from a capitalist venture for helping to portray their views. For this Bill Brown certainly deserves credit. It is my opinion that Bill Brown is a talented film maker, he has a skilled eye for camera angle, and a nice way of tackling his subjects. Bill Brown takes viewers with him on a journey along the borders, and documents everything along the way. It's an interesting concept and his unique style of film making adds to the overall feel. It is the second short documentary that stands out more than the rest. Beautifully shot, with no spoken words.. a real elegant nod to a great talent. Bill Brown's style is easy going, and his non judgmental approach is admirable. Subba-Cultcha

All three films are pretty good, shot in 16mm and have a visual mood to them you might not expect. It is so compelling that you forget you are watching video by the simple fact that there are no flaws typical of video or HD. The use of block style is very good too. The [sound] is better than many films we have heard lately. This is a solid set overall filmmakers and film lovers will want to see. Nicholas Sheffo, Fulvue Drive-in