
Comments for Who is Bozo Texino? DVD
Interview on Fall of Autumn! Fall of AutumnBill Daniel's homegrown epic is as kinetic and raggedly beautiful as the trains he hopped to mae it. Using the search for the origin of a near mythical example of railroad graffiti as a point of departure, Bill made a flim about freedom as literal passage across the land. Corporations brand things to say they own them, but there are ways in which humans have marked things to say they can't be owned. Jem CohenI'm not going to hold back any enthusiasm...this is the best movie I've ever seen. Josh from EdmontonDaniel places himself firmly in the bootprints of Jack London, Jack Kerouac, Walt Whitman, Woody Guthrie - a fine, long tradition of American artists who look for their inspiration to the marginal, the underclass, the vagabond and the outcast. Nominally a chronicle/survey/history of boxcar graffiti (a tradition as old as the railroad itself) and the men who create it, Who Is Bozo Texino? soon transcends its narrow subject-matter to become a gloriously rough-edged elegy for an America which is being swept away before our eyes. Neil Young’s Film LoungeAt a certain point in research and filming, I had to give up on the idea of being able to tell every story down to the detail. One of my initial impulses was to create a highly resolved document that would allow people in the future to see exactly what this culture was like. But at the same time I was painfully aware that to broadcast these discoveries would alter or wreck the innocence and freedom that was there. Gradually, I realized that to report on freight train culture I should just acknowledge this mythologizing that permeates the culture and adopt that as an essential part of my approach. But the difficulty was, at the same time, to present this purely documentary material that I earnestly want to be appreciated and preserved. And no matter what the disappointment might be in finding the lonely reality behind a particular myth or graffiti, there is a mystery, or truth, that will always evade the documentarian and the audience. Bill Daniel
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